















EDITORIAL
GEORGE SULLY
Founder / Editor in Chief
LAYTH GAFOOR
Managing Editor
CONNIE AMARTEY
Deputy Editor
ZLAD DUJSIC
Digital Editorial Director
CHARSALEE STEWART
Copy Editor
BUSINESS DEVELOPMENT
MARK HARRISON
Director of Brand Partnerships
ART
GEORGE SULLY
Chief Creative Director
Layout Design
BRIONE WISHART
Director of Video & Storytelling
CONTRIBUTORS
HAYLA AMINI
CONNIE AMARTEY
MICHAEL BOATHAUS
KEVIN BOURNE
JEZRAEL CATACUTAN
BEVERLY DOYIN
LLOYD EXETER
LAYTH GAFOOR
MALIK NEMBHARD
AMANA N
TAYE OMARI
MALCOLM REID
THOMAS J. SANDRIN
GEORGE SULLY
MONIQUE TAYLOR-YEE SHUI
LILY YANGE

ON THE
COVER
The Artistry Yaw Tony
Lines That Speak
Being Loud, Quietly.
Every once in a while, you realize that being seen isn’t always about volume. It’s about presence. Influence. Consistency. And for those of us building something from the ground up, it’s about making your mark in a way that feels authentic—without needing to shout over the noise.
When I founded Black Designers of Canada, it wasn’t about proving who we were to the world. It was about creating a platform where talent could be seen, amplified, and celebrated, often in spaces that had overlooked us for far too long. It was—and still is—about turning whispers of potential into undeniable impact.
Being loud, quietly, is about intention. It’s about moving with purpose and letting your work speak before your name does. It’s the designers who pour years of sweat into a single collection, the artisans perfecting a single stitch, the entrepreneurs navigating an industry that isn’t always ready for you—but still finding ways to thrive. It’s about celebrating that relentless drive, even when the applause hasn’t caught up yet.
In this issue, we share their stories. We showcase the work that redefines Canadian design—not through grandstanding, but through thoughtful innovation, unrelenting craft, and quiet resilience. These are the moments that inspire, the designs that shift culture, and the people who make it happen without needing a spotlight to validate their brilliance.
And this issue, we chose Yaw Tony for our cover because he embodies everything this magazine stands for. His artistry is bold yet understated, visionary yet deliberate—a perfect example of making noise quietly. Yaw Tony’s work challenges assumptions, redefines aesthetic boundaries, and tells a story of creativity rooted in heritage, perspective, and craft. He represents the new wave of designers who are reshaping Canada’s cultural and creative landscape with intention, sophistication, and a fearless commitment to their vision.
This is our invitation: walk with us through these pages. Witness creativity, courage, and dedication. Celebrate the people who are moving the needle—sometimes in silence, sometimes in ways the world can’t ignore. And remember: making noise doesn’t always mean raising your voice. Sometimes it’s simply about showing up, every day, and doing the work that matters.
Here’s to being loud, quietly—and making it count.
George Sully
Founder & Editor-in-Chief, BDC Magazine


MARY'S MAGIC
Mary’s Brigadeiro: Handcrafted Chocolate with Heart and Heritage
By Hayla Amini
Toronto’s culinary scene has been delightfully transformed by Mary’s Brigadeiro, the artisanal chocolate brand founded by Brazilian-born Mariane. Inspired by her family’s traditional brigadeiro recipe and a childhood filled with sweet celebrations, Mariane sought to bring the joy and communal spirit of Brazil’s beloved chocolate truffles to North America. What began as a passion project in a small kitchen has grown into a recognized and celebrated brand that honors authenticity, creativity, and quality.
Introducing brigadeiros to a market where few had heard the name was a challenge, but curiosity quickly turned into appreciation. Each confection is handcrafted in small batches, with a meticulous two-day process: cooking to the perfect texture, cooling, portioning, and hand-rolling in natural or real chocolate sprinkles. The flavors are inspired by Brazilian traditions, seasonal ingredients, and Mariane’s global travels—standouts include a Dulce de Leche brigadeiro hand-rolled in caramelized frosted flakes and a bold Mexican spice version with cayenne, cinnamon, nutmeg, and smoked paprika.
Mariane’s commitment to sourcing high-quality ingredients shines through, from Fair Trade chocolate to coffee beans from Brazilian women-led farms roasted in Toronto. Creativity drives everything at Mary’s Brigadeiro, from product design to presentation and marketing, with the team collaborating to push boundaries while staying rooted in authenticity.
The brand continues to evolve with exciting projects: Casa, their new chocolate factory, will expand production and offer workshops, while upcoming collaborations with international artists and luxury hotels promise to further elevate Toronto’s chocolate scene. Mariane’s advice to aspiring entrepreneurs is clear: embrace challenges, adapt thoughtfully, and never lose sight of your purpose.
Mary’s Brigadeiro is more than chocolate—it’s a celebration of culture, craftsmanship, and the joy that comes from sharing something truly heartfelt.
WWW.MARYSBSWEETS.COM
The brand continues to evolve with exciting projects: Casa, their new chocolate factory, will expand production and offer workshops, while upcoming collaborations with international artists and luxury hotels promise to further elevate Toronto’s chocolate scene. Mariane’s advice to aspiring entrepreneurs is clear: embrace challenges, adapt thoughtfully, and never lose sight of your purpose.
Mary’s Brigadeiro is more than chocolate—it’s a celebration of culture, craftsmanship, and the joy that comes from sharing something truly heartfelt.
THE COLLABORATORY
Where Creativity Meets Collaboration:
Uniting Food, Fashion, Art and Design
By Clive Deonarine

Hoka x SPENCER BADU
Canadian-Ghanaian designer Spencer Badu makes a bold debut in footwear with the HOKA Elevon X collaboration, blending performance running with heritage-driven storytelling. Reimagined in vibrant yellow and black inspired by the Ghanaian flag, the silhouette features symbolic details including a cowrie shell and Adinkra motifs representing freedom and protection. Launched May 15, 2025, the Elevon X stands as a thoughtful fusion of culture, innovation, and modern design.
Bóhten x Disney's Mufasa: The Lion King
Bôhten Eyewear collaborates with Disney Canada to launch a limited-edition capsule collection inspired by Mufasa: The Lion King. This exclusive line features three eyewear styles—Pamoja Pride, Jade II Savannah, and Exstel II Peak—each reflecting the vibrant African landscapes and wildlife that inspired the film. Crafted from sustainable materials, the frames incorporate gold and silver accents, with Disney and Mufasa branding, celebrating the legacy of Mufasa and the rich cultural heritage of Africa.


Mary's Brigadeiro x Benny Bing
In celebration of Black History Month, Toronto-based chocolatier Mary's Brigadeiro partnered with renowned artist Benny Bing to create a limited-edition chocolate collection. The "Colours of Brown" series features handcrafted brigadeiros in various rich shades of brown, inspired by diverse skin tones. Bing's signature artwork adorns the packaging, making this collection a meaningful tribute to culture and community. Proceeds from the collaboration were donated to the Daily Bread Food Bank to combat food insecurity in Toronto.




ESSENTIALS
LIST

BOUQ Paper Flower
Turn everyday spaces into moments of wonder with BOUQ Paper Flowers. These handcrafted blooms are vibrant, lasting, and astonishingly realistic, each petal painted, dyed, and assembled with care. Perfect for celebrations, gifting, or adding charm to your home, BOUQ brings creativity and sophistication together. With Studio BOUQ tutorials, anyone can explore the magic behind these flowers, turning floral artistry into a personal, joyful experience.
Shop BOUQ Paper Flower

BOUQ Paper Flower
Turn everyday spaces into moments of wonder with BOUQ Paper Flowers. These handcrafted blooms are vibrant, lasting, and astonishingly realistic, each petal painted, dyed, and assembled with care. Perfect for celebrations, gifting, or adding charm to your home, BOUQ brings creativity and sophistication together. With Studio BOUQ tutorials, anyone can explore the magic behind these flowers, turning floral artistry into a personal, joyful experience.
Shop BOUQ Paper Flower

by blaqdoor
by blaqdoor redefines luxury with a curated collection of accessories that blend elegance and individuality. From meticulously crafted wristwear and bespoke timepieces to statement handbags and sneakers, each piece embodies artistry and sophistication. Designed for those who appreciate the finer details, by blaqdoor offers more than accessories—it delivers an experience. Elevate your style with pieces that are as unique as you are.
Shop by blaqdoor

by blaqdoor
by blaqdoor redefines luxury with a curated collection of accessories that blend elegance and individuality. From meticulously crafted wristwear and bespoke timepieces to statement handbags and sneakers, each piece embodies artistry and sophistication. Designed for those who appreciate the finer details, by blaqdoor offers more than accessories—it delivers an experience. Elevate your style with pieces that are as unique as you are.
Shop by blaqdoor

Kisina Déco
Kisina Déco brings the vibrant spirit of Africa into your home with a curated collection of handcrafted décor. Each piece, from bold cushions to statement textiles, is meticulously crafted by artisans in Senegal, blending traditional African artistry with contemporary design. Designed for those who value cultural richness and unique craftsmanship, Kisina Déco offers more than just décor—it delivers a story. Transform your space with pieces that celebrate heritage and individuality.
Shop by Kisina Déco

Kisina Déco
Kisina Déco brings the vibrant spirit of Africa into your home with a curated collection of handcrafted décor. Each piece, from bold cushions to statement textiles, is meticulously crafted by artisans in Senegal, blending traditional African artistry with contemporary design. Designed for those who value cultural richness and unique craftsmanship, Kisina Déco offers more than just décor—it delivers a story. Transform your space with pieces that celebrate heritage and individuality.
Shop by Kisina Déco

ANY7
ANY 7 reimagines everyday fashion by blending sports, music, culture, and style into exclusive, high-quality pieces. Founded by Stace Barton in Toronto, this Black-owned brand offers limited-edition footwear and apparel crafted with durable materials. Each collection reflects a commitment to authenticity and individuality, elevating menswear with designs that speak to the intersection of urban culture and contemporary fashion.
Shop ANY7

ANY7
ANY 7 reimagines everyday fashion by blending sports, music, culture, and style into exclusive, high-quality pieces. Founded by Stace Barton in Toronto, this Black-owned brand offers limited-edition footwear and apparel crafted with durable materials. Each collection reflects a commitment to authenticity and individuality, elevating menswear with designs that speak to the intersection of urban culture and contemporary fashion.
Shop ANY7

Legin Knits
Legin Knits fuses fashion, art, and culture through handcrafted crochet creations that transcend trends. Founded by Nigel “Legin” John, the Toronto-based brand offers unique pieces that blend vibrant textures with meaningful messages. Beyond fashion, Legin Knits hosts immersive workshops, promoting mindfulness and sustainable practices. With a commitment to uplifting communities and honoring heritage, Legin Knits crafts more than garments—it crafts experiences.
Shop Legin Knits

Legin Knits
Legin Knits fuses fashion, art, and culture through handcrafted crochet creations that transcend trends. Founded by Nigel “Legin” John, the Toronto-based brand offers unique pieces that blend vibrant textures with meaningful messages. Beyond fashion, Legin Knits hosts immersive workshops, promoting mindfulness and sustainable practices. With a commitment to uplifting communities and honoring heritage, Legin Knits crafts more than garments—it crafts experiences.
Shop Legin Knits

Barcon Getta
Barcon Getta blends East African heritage with Canadian craftsmanship to create premium leather goods that tell a story. Founded by Russom Haile Woldemicael, the Ottawa-based brand offers meticulously handcrafted boots, dress shoes, sneakers, and accessories made from ethically sourced Ethiopian leather. Each piece reflects a commitment to quality, style, and community. Elevate your wardrobe with Barcon Getta's timeless designs that honor tradition and embrace modern elegance.
Shop Barcon Getta

Barcon Getta
Barcon Getta blends East African heritage with Canadian craftsmanship to create premium leather goods that tell a story. Founded by Russom Haile Woldemicael, the Ottawa-based brand offers meticulously handcrafted boots, dress shoes, sneakers, and accessories made from ethically sourced Ethiopian leather. Each piece reflects a commitment to quality, style, and community. Elevate your wardrobe with Barcon Getta's timeless designs that honor tradition and embrace modern elegance.
Shop Barcon Getta
DESIGNER
TECH
Highlighting must-have tools and gadgets for graphic, fashion, and interior designers, making innovation, efficiency, and creativity effortlessly accessible.
By Clive Deonarine

Foldable Apple iPhone Coming Soon
Apple is reportedly preparing its first foldable iPhone, expected to debut in late 2026 or early 2027. The device is rumored to feature a sleek, book-style fold with a thin profile, pairing a compact outer display with a larger, iPad-mini-like inner screen. Apple is said to be prioritizing a near-crease-free display using an advanced metal hinge, powered by the A20 Pro chip with 12GB of RAM. Dual 48MP cameras, a shift to Touch ID, and a premium price estimated between $2,000 and $2,500 position it as a bold, high-end entry into the foldable market.

Foldable Apple iPhone Coming Soon
Apple is reportedly preparing its first foldable iPhone, expected to debut in late 2026 or early 2027. The device is rumored to feature a sleek, book-style fold with a thin profile, pairing a compact outer display with a larger, iPad-mini-like inner screen. Apple is said to be prioritizing a near-crease-free display using an advanced metal hinge, powered by the A20 Pro chip with 12GB of RAM. Dual 48MP cameras, a shift to Touch ID, and a premium price estimated between $2,000 and $2,500 position it as a bold, high-end entry into the foldable market.

Samsung Galaxy Z Fold 6 – Seamless Foldable Display
The Samsung Galaxy Z Fold 6 delivers a seamless foldable display that transforms effortlessly from a refined smartphone into an expansive tablet-like screen. With a brighter, smoother Dynamic AMOLED display and improved hinge design, it offers an immersive, uninterrupted viewing experience built for productivity, creativity, and entertainment on the go.
Shop by blaqdoor

Samsung Galaxy Z Fold 6 – Seamless Foldable Display
The Samsung Galaxy Z Fold 6 delivers a seamless foldable display that transforms effortlessly from a refined smartphone into an expansive tablet-like screen. With a brighter, smoother Dynamic AMOLED display and improved hinge design, it offers an immersive, uninterrupted viewing experience built for productivity, creativity, and entertainment on the go.
Shop by blaqdoor

Ray-Ban Meta Display Glasses with Neural Band
Meta’s latest smart glasses blend iconic Ray-Ban style with cutting-edge tech. A discreet display delivers notifications and media previews, while the Neural Band translates subtle wrist gestures into commands. Equipped with a 12MP camera, open-ear audio, and AI-powered features, these glasses offer designers a stylish, hands-free way to stay connected and enhance productivity.
Shop by Kisina Déco

Ray-Ban Meta Display Glasses with Neural Band
Meta’s latest smart glasses blend iconic Ray-Ban style with cutting-edge tech. A discreet display delivers notifications and media previews, while the Neural Band translates subtle wrist gestures into commands. Equipped with a 12MP camera, open-ear audio, and AI-powered features, these glasses offer designers a stylish, hands-free way to stay connected and enhance productivity.
Shop by Kisina Déco

DJI Mini 5 Pro
The DJI Mini 5 Pro combines portability with professional-grade performance. Lightweight and foldable, it offers 4K video capture, advanced stabilization, and intelligent flight modes. Ideal for designers in fashion, interiors, or graphic projects, this drone provides unique aerial perspectives, empowering creatives to showcase their work from entirely new angles with precision and style.
Shop ANY7

DJI Mini 5 Pro
The DJI Mini 5 Pro combines portability with professional-grade performance. Lightweight and foldable, it offers 4K video capture, advanced stabilization, and intelligent flight modes. Ideal for designers in fashion, interiors, or graphic projects, this drone provides unique aerial perspectives, empowering creatives to showcase their work from entirely new angles with precision and style.
Shop ANY7

Xencelabs Pen Display 16
The Xencelabs Pen Display 16 offers a large, responsive drawing surface with customizable shortcut keys, ultra-precise stylus, and high color accuracy. Perfect for graphic designers, fashion illustrators, and interior designers, it enables intuitive sketching, digital painting, and editing, bridging creativity and technology with precision and fluidity in every project.
Shop Legin Knits

Xencelabs Pen Display 16
The Xencelabs Pen Display 16 offers a large, responsive drawing surface with customizable shortcut keys, ultra-precise stylus, and high color accuracy. Perfect for graphic designers, fashion illustrators, and interior designers, it enables intuitive sketching, digital painting, and editing, bridging creativity and technology with precision and fluidity in every project.
Shop Legin Knits

Technics EAH-AZ100 Reference-Class True Wireless Earbuds
The Technics EAH-AZ100 delivers high-fidelity audio with active noise cancellation, long battery life, and a comfortable, ergonomic design. Ideal for designers and creatives, these headphones provide immersive sound for focused work, virtual meetings, or content creation, combining style, precision, and professional-grade performance in a sleek, portable package.
Shop Barcon Getta

Technics EAH-AZ100 Reference-Class True Wireless Earbuds
The Technics EAH-AZ100 delivers high-fidelity audio with active noise cancellation, long battery life, and a comfortable, ergonomic design. Ideal for designers and creatives, these headphones provide immersive sound for focused work, virtual meetings, or content creation, combining style, precision, and professional-grade performance in a sleek, portable package.
Shop Barcon Getta
“George Sully’s vision and dedication continue to elevate Black Canadian talent. CAFA proudly supports his Black Designers of Canada initiative, celebrating creativity, innovation, and cultural impact across the industry.”
Vicky Milner, CAFA President



FASHION
“We’ve been honoured and proud to support the BDC designers, helping them shine, and we look forward to celebrating their creativity on the runway for years to come.”
ART
TORONTO
x
BDC
Vanja Vasic
Founder & Executive Director
Fashion Art Toronto
By George Sully


Over the past two years, the collaboration between Fashion Art Toronto and Black Designers of Canada brought the runway to life in ways that went far beyond fashion. Designers stepped forward with purpose, their collections alive with color, texture, and story. Silhouettes commanded attention, details invited scrutiny, and every look resonated with intention. Heritage, creativity, and innovation converged, and Black Canadian designers shone unapologetically.
The experience was immersive, giving audiences more than garments to admire—it offered narratives, visions, and a presence that lingered long after the lights dimmed. Beyond the catwalk, the partnership fostered mentorship, dialogue, and community, empowering emerging talent to learn, connect, and grow alongside established voices.
The Fashion Art Toronto x Black Designers of Canada collaboration was more than a showcase—it was a movement. It celebrated Black creativity, highlighted cultural identity, and demonstrated the bold, vibrant, and unmistakable presence of Canada’s next generation of design visionaries. And this is just the beginning, as both organizations continue to build and expand this partnership into the future.







EXPLORE








“We’ve been blessed to have Fashion Art Toronto gracefully share their platform and stage to help our Black Designers of Canada members a home to showcase their extraordinary talents.”
George Sully
Founder & President
Black Designers of Canada















Discover the designers
WELL
SUITED
BDC Award of Excellence recipients in bespoke menswear design demonstrate why they are best in class.
By Taye Omari
C|E CLOTHIER
C|E Clothiers crafts bespoke menswear with precision and style. Each suit is tailored to perfection, reflecting individuality, sophistication, and timeless elegance. Combining expert craftsmanship with personalized service, every client experiences luxury that is uniquely theirs.
C|E CLOTHIER

ELLIS ESQ
Ellis Esq specializes in modern menswear that blends classic tailoring with contemporary design. Each piece is crafted with attention to detail, delivering sophistication and style. With a focus on quality materials and impeccable fit, Ellis Esq offers men’s fashion that is timeless, refined, and unmistakably confident.
ELLIS ESQ

FARI HARA
Fari Hara is Canada’s leading custom tailoring house, bringing vibrancy and personality into the contemporary suit industry with garments that create confidence through personal style and design excellence.
FARI HARA

EADEN MYLES
Eaden Myles specializes in bespoke menswear that combines classic craftsmanship with modern design sensibilities. Each garment is meticulously tailored for precision, fit, and elegance. Eaden Myles empowers men to showcase individuality, confidence, and sophistication, delivering timeless style with every carefully crafted piece.













Connie Amartey, celebrated Event and Ideation Architect, continues to blur the lines between creativity and functionality with her recent design of a stunning 20,000-square-foot car club—a project that perfectly captures her belief that great design begins not with trends, but with people.
As the creative force behind a newly unveiled car club, Connie reimagined what an automotive social space could be. Rather than focusing solely on luxury aesthetics, she curated an environment that inspires connection, belonging, and comfort. Every element, from flow and layout to lighting and texture, was thoughtfully considered to evoke emotion and enhance the overall experience. “Design is a feeling,” Connie explains. “It’s about understanding the personalities and energies that will occupy a space and ensuring every detail serves both function and emotion.”
As an Event and Experience Director, Connie naturally weaves these same philosophies into her approach to spatial design. She believes every environment should engage the senses while remaining respectful of how different people experience space. Cognizant of neurodiversity and the varied ways individuals experience sound, light, and sensory input, she strives to create spaces that feel inclusive, balanced, and welcoming. “A well-designed space,” she says, “should invite participation without being overwhelming and should honor the different ways people engage.”
Her passion for design extends into her personal life as well. Connie redesigned her new-build home, transforming it into a sanctuary that reflects her story through thoughtful textures, curated pieces, and meaningful detail. For her, design is a form of art, but one that should empower, not intimidate. “Too often we recreate what we see on HGTV instead of following our instincts,” she notes. “True design isn’t about what’s trendy; it’s about how it makes you feel.”
This human-centric approach has defined Connie’s journey from event design to experiential creation. Both disciplines demand an understanding of how people move, connect, and feel within a space. For Connie, the transition is seamless; each project is an opportunity to tell a story, evoke emotion, and foster genuine connection.
Her advice is simple yet powerful: “Follow your instincts. Embrace yourself, or the people who will enjoy the space. When design comes from authenticity, it becomes timeless.”
Connie Amartey designs with heart, leads with vision, and continues to redefine how spaces make people feel.
WWW.CONNIEAMARTEY.COM
Connie Amartey, celebrated Event and Ideation Architect, continues to blur the lines between creativity and functionality with her recent design of a stunning 20,000-square-foot car club—a project that perfectly captures her belief that great design begins not with trends, but with people.
As the creative force behind a newly unveiled car club, Connie reimagined what an automotive social space could be. Rather than focusing solely on luxury aesthetics, she curated an environment that inspires connection, belonging, and comfort. Every element, from flow and layout to lighting and texture, was thoughtfully considered to evoke emotion and enhance the overall experience. “Design is a feeling,” Connie explains. “It’s about understanding the personalities and energies that will occupy a space and ensuring every detail serves both function and emotion.”
As an Event and Experience Director, Connie naturally weaves these same philosophies into her approach to spatial design. She believes every environment should engage the senses while remaining respectful of how different people experience space. Cognizant of neurodiversity and the varied ways individuals experience sound, light, and sensory input, she strives to create spaces that feel inclusive, balanced, and welcoming. “A well-designed space,” she says, “should invite participation without being overwhelming and should honor the different ways people engage.”
Her passion for design extends into her personal life as well. Connie redesigned her new-build home, transforming it into a sanctuary that reflects her story through thoughtful textures, curated pieces, and meaningful detail. For her, design is a form of art, but one that should empower, not intimidate. “Too often we recreate what we see on HGTV instead of following our instincts,” she notes. “True design isn’t about what’s trendy; it’s about how it makes you feel.”
This human-centric approach has defined Connie’s journey from event design to experiential creation. Both disciplines demand an understanding of how people move, connect, and feel within a space. For Connie, the transition is seamless; each project is an opportunity to tell a story, evoke emotion, and foster genuine connection.
Her advice is simple yet powerful: “Follow your instincts. Embrace yourself, or the people who will enjoy the space. When design comes from authenticity, it becomes timeless.”
Connie Amartey designs with heart, leads with vision, and continues to redefine how spaces make people feel.
By BDC Team
Connie Amartey: Redefining Design Through Emotion and Intention
CONVERSION
PRIME
“Follow your instincts. Embrace yourself, or the people who will enjoy the space. When design comes from authenticity, it becomes timeless.”












There are destinations built for efficiency, and then there are those built for emotion. Porsche Experience Centre Toronto belongs firmly in the latter category. It sits on the edge of the city like a modern monument to engineering, craftsmanship, and the relentless pursuit of excellence. For enthusiasts, curious newcomers, and long-time admirers of the brand, this is a place where Porsche transforms from a name into a living experience.
Designed as both a training ground and a sanctuary for the senses, PEC Toronto is more than just a facility. It is a curated journey through everything that defines the brand, allowing guests to explore the interplay between design, performance, and human connection. Here, Porsche invites guests not simply to drive, but to understand.
By George Sully
A tour inside the house that speed built at Porsche Centre Toronto.
CENTRAL
SPEED
At the heart of PEC Toronto is its purpose-built 2-kilometre driver development circuit, a meticulously engineered environment that brings out the full character of each vehicle. The circuit features a series of modules that simulate real-world conditions and challenge drivers in a safe, controlled, and exhilarating environment. The Handling Circuit allows for dynamic cornering and precision driving. The Low-Friction Handling Circuit areas help guests learn vehicle control on slick surfaces, teaching the delicate balance between grip and finesse. The Low-Friction Drift Circle, a favourite among returning drivers, gives you the space to break traction, initiate a drift, and hold it—offering a controlled environment to refine oversteer technique.
These modules reflect the brand's philosophy that luxury is not something you simply look at. It is something you feel, learn, and grow into. Every turn, slide, and acceleration is designed to deepen your understanding of how a Porsche responds to you and how you respond to the road.
"Everything we do at the Porsche Experience Centre is designed to bring people closer to the soul of Porsche. It's not just about speed. It's about connection, condfidence, and discovering what's possible behind the wheel"




For those who appreciate the finer details behind every Porsche, PEC Toronto includes a safety briefing with each drive experience. Guests gain a more intimate relationship with the vehicle before ever stepping onto the circuit. Education becomes an extension of luxury, complementing the visceral excitement that follows.
Hospitality is another core pillar of the PEC experience. The Gallery, designed with clean minimalism and warm materials, offers trackside views and a comfortable place for guests to relax between sessions. The Carrera Café offers premium café options, elevating the experience in a way that feels curated and intentional rather than transactional. It is this balance of comfort and performance, relaxation and stimulation, that makes PEC Toronto feel less like a venue and more like a refined retreat.
One of the most unique qualities of Porsche Experience Centre Toronto is how accessible it feels despite the prestige of the brand. You do not need to own a Porsche to participate. The experience is open to anyone who wants to learn, explore, and immerse themselves in the Porsche world. It is a democratic approach to luxury that aligns with the evolving cultural landscape of modern design and performance.
Training sessions are tailored to all skill levels. Whether you are getting behind the wheel for the first time or refining advanced driving techniques, PEC Toronto’s team of professional instructors meet guests exactly where they are. Their approach is supportive and encouraging, ensuring that every guest leaves with increased confidence and a deeper appreciation for the craftsmanship of the vehicles.
Inside, PEC Toronto blends hospitality with a gallery-like design that celebrates the heritage and innovation of the brand. The space is marked by clean architectural lines, modern materials, and open views that frame the circuit like a piece of moving art. Floor-to-ceiling glass wraps the building, ensuring that from nearly every vantage point, guests are connected to the rhythm of the circuit outside. It is immersive without being overwhelming, and elegant without losing the honesty that defines Porsche.
The lobby introduces visitors to the Porsche story through curated vehicle displays that rotate throughout the year. This thoughtful curation extends throughout the building, including dedicated spaces that highlight Porsche Exclusive Manufaktur, showcasing the personalization options that allow drivers to craft a vehicle that reflects their own identity and taste.
Trevor Arthur
President & CEO
Porsche Cars Canada
For corporate groups and private bookings, PEC Toronto offers event spaces that blend modern utility with luxury aesthetics. Boardrooms, lounges, and track-access opportunities allow businesses and private groups to create unforgettable experiences
rooted in collaboration, adrenaline, and shared discovery.
In many ways, Porsche Experience Centre Toronto represents the future of luxury engagement. It is experiential, educational, design-forward, and deeply human. It invites guests to explore performance not as a spectacle, but as a craft. It celebrates the relationship between driver, machine, and environment, elevating each moment into something memorable.
For Porsche, PEC Toronto is not simply an extension of the brand. It is a living embodiment of everything Porsche stands for. For the rest of us, it is a rare chance to step inside the world of precision, passion, and possibility, one perfectly engineered moment at a time.
WWW.PORSCHE.COM
For corporate groups and private bookings, PEC Toronto offers event spaces that blend modern utility with luxury aesthetics. Boardrooms, lounges, and track-access opportunities allow businesses and private groups to create unforgettable experiences
rooted in collaboration, adrenaline, and shared discovery.
In many ways, Porsche Experience Centre Toronto represents the future of luxury engagement. It is experiential, educational, design-forward, and deeply human. It invites guests to explore performance not as a spectacle, but as a craft. It celebrates the relationship between driver, machine, and environment, elevating each moment into something memorable.
For Porsche, PEC Toronto is not simply an extension of the brand. It is a living embodiment of everything Porsche stands for. For the rest of us, it is a rare chance to step inside the world of precision, passion, and possibility, one perfectly engineered moment at a time.
For corporate groups and private bookings, PEC Toronto offers event spaces that blend modern utility with luxury aesthetics. Boardrooms, lounges, and track-access opportunities allow businesses and private groups to create unforgettable experiences
rooted in collaboration, adrenaline, and shared discovery.
In many ways, Porsche Experience Centre Toronto represents the future of luxury engagement. It is experiential, educational, design-forward, and deeply human. It invites guests to explore performance not as a spectacle, but as a craft. It celebrates the relationship between driver, machine, and environment, elevating each moment into something memorable.
For Porsche, PEC Toronto is not simply an extension of the brand. It is a living embodiment of everything Porsche stands for. For the rest of us, it is a rare chance to step inside the world of precision, passion, and possibility, one perfectly engineered moment at a time.
MICHAEL
LONDON
Legacy through design: Creating interiors that stand the test of time
By George Sully
From the first moment Michael London stepped into a design firm during a co-op program, he knew he had discovered his calling. Initially drawn to architecture, it was the world of interiors that captured his imagination. “Architecture showed me structure,” he explains, “but interiors made me ask different questions: How does this space make you feel when you’re in it? Does it do what it’s meant to do, not just in design but in function?” These questions have become the cornerstone of London’s approach, guiding him to create environments that are as emotionally resonant as they are visually stunning.
London’s signature style defies categorization. “I don’t box myself into a fixed style,” he says. For him, originality is paramount; each space must feel like it belongs uniquely to its client, its place, and its moment in time. Over the years, his work has evolved from creating beautiful interiors for the present to designing spaces that stand the test of time, becoming integral to a client’s story and, in their own way, to design history. Legacy, he asserts, is what truly drives him.
Immersion is at the heart of London’s process. He meticulously considers how light shifts throughout the day, the textures that invite touch, and the proportions that influence movement. These details coalesce to give each space a distinct character, creating environments that linger in memory long after one leaves. “It’s not just decoration,” he explains, “it’s about creating a space you remember and inhabit fully.”
Challenges, London admits, have always been internal. “I’ve always been my own biggest challenge. Every project asks me, what can I bring this time that I haven’t done before?” This relentless pursuit of personal growth ensures that each new endeavor surpasses the last, pushing the boundaries of his own creativity. Balancing aesthetics with functionality is equally critical. For London, beauty and function are inseparable. True luxury, he emphasizes, is not about excess—it is about certainty. Every material, layout, and line is measured against one standard: does it enhance the way the client experiences life within the space?
Storytelling permeates London’s work. “Storytelling starts in the quiet moments no one sees,” he shares. Listening closely to clients, he captures the essence of their lives and translates it into environments that feel personal and intentional. Each project is a chapter in a broader narrative, one that continues to unfold with each successive space he designs.
London’s influence extends beyond his own practice; he is a mentor and advocate for diversity in interior design. He urges emerging designers to align their skills with firms’ values, to identify where they can truly add value, and to present themselves with clarity and purpose. “Don’t wait for someone else to tell you where you belong,” he advises. “You should already know, and be able to point them straight to it.”
From the first moment Michael London stepped into a design firm during a co-op program, he knew he had discovered his calling. Initially drawn to architecture, it was the world of interiors that captured his imagination. “Architecture showed me structure,” he explains, “but interiors made me ask different questions: How does this space make you feel when you’re in it? Does it do what it’s meant to do, not just in design but in function?” These questions have become the cornerstone of London’s approach, guiding him to create environments that are as emotionally resonant as they are visually stunning.
London’s signature style defies categorization. “I don’t box myself into a fixed style,” he says. For him, originality is paramount; each space must feel like it belongs uniquely to its client, its place, and its moment in time. Over the years, his work has evolved from creating beautiful interiors for the present to designing spaces that stand the test of time, becoming integral to a client’s story and, in their own way, to design history. Legacy, he asserts, is what truly drives him.
Immersion is at the heart of London’s process. He meticulously considers how light shifts throughout the day, the textures that invite touch, and the proportions that influence movement. These details coalesce to give each space a distinct character, creating environments that linger in memory long after one leaves. “It’s not just decoration,” he explains, “it’s about creating a space you remember and inhabit fully.”
Challenges, London admits, have always been internal. “I’ve always been my own biggest challenge. Every project asks me, what can I bring this time that I haven’t done before?” This relentless pursuit of personal growth ensures that each new endeavor surpasses the last, pushing the boundaries of his own creativity. Balancing aesthetics with functionality is equally critical. For London, beauty and function are inseparable. True luxury, he emphasizes, is not about excess—it is about certainty. Every material, layout, and line is measured against one standard: does it enhance the way the client experiences life within the space? Storytelling permeates London’s work. “Storytelling starts in the quiet moments no one sees,” he shares. Listening closely to clients, he captures the essence of their lives and translates it into environments that feel personal and intentional. Each project is a chapter in a broader narrative, one that continues to unfold with each successive space he designs.
London’s influence extends beyond his own practice; he is a mentor and advocate for diversity in interior design. He urges emerging designers to align their skills with firms’ values, to identify where they can truly add value, and to present themselves with clarity and purpose. “Don’t wait for someone else to tell you where you belong,” he advises. “You should already know, and be able to point them straight to it.”
His creativity is nourished by travel, literature, and personal experiences. Observing how people inhabit spaces around the world, noting the smallest details in everyday life, and drawing from both triumphs and challenges—all inform the nuanced, human-centered environments he creates. “It’s less about collecting references and more about carrying a way of seeing the world into every decision I make,” he explains.
Looking ahead, London is less interested in trends than in innovation. He believes that luxury interiors will be defined not by what’s in style, but by originality—by spaces that feel alive, present, and intentional. He seeks out new materials, bold textures, and inventive ways to manipulate light and form, always aiming to craft spaces that could exist nowhere else yet remain timeless.
His advice for anyone seeking to create a meaningful, culturally rich home environment is simple yet profound: design with purpose. Select materials and textures that resonate personally, insist on originality, and focus on details that age with character. A truly timeless space, London insists, is one that could only ever be yours, reflecting your story, your values, and your vision.
In every project, Michael London demonstrates that interior design is more than aesthetics—it is a narrative, an experience, and a legacy. Through thoughtful innovation and uncompromising attention to detail, he transforms spaces into enduring works of art, ones that speak to the lives of those who inhabit them, and leave an indelible mark on the world of design.
WWW.MICHAELLONDON.DESIGN
His creativity is nourished by travel, literature, and personal experiences. Observing how people inhabit spaces around the world, noting the smallest details in everyday life, and drawing from both triumphs and challenges—all inform the nuanced, human-centered environments he creates. “It’s less about collecting references and more about carrying a way of seeing the world into every decision I make,” he explains.
Looking ahead, London is less interested in trends than in innovation. He believes that luxury interiors will be defined not by what’s in style, but by originality—by spaces that feel alive, present, and intentional. He seeks out new materials, bold textures, and inventive ways to manipulate light and form, always aiming to craft spaces that could exist nowhere else yet remain timeless.
His advice for anyone seeking to create a meaningful, culturally rich home environment is simple yet profound: design with purpose. Select materials and textures that resonate personally, insist on originality, and focus on details that age with character. A truly timeless space, London insists, is one that could only ever be yours, reflecting your story, your values, and your vision.
In every project, Michael London demonstrates that interior design is more than aesthetics—it is a narrative, an experience, and a legacy. Through thoughtful innovation and uncompromising attention to detail, he transforms spaces into enduring works of art, ones that speak to the lives of those who inhabit them, and leave an indelible mark on the world of design.


“I’ve always been my own biggest challenge. Every project asks me, what can I bring this time that I haven’t done before?”
CLIFF
SMITH
Designing with Purpose: Craftsmanship, Creativity, and Legeacy
By Connie Amartey


Cliff Smith, the creative mind behind Augustus Jones, has always understood that great design is more than aesthetics. It’s storytelling, atmosphere, and curating experiences that resonate. While many know him for his curated European furniture collections, his path began in graphic design and publishing—a foundation that informs every space he creates.
“I started in graphic design and publishing,” Cliff explains. “After renovating the Canning Factory, I realized I needed exceptional furniture to make the space work. On my budget, I couldn’t afford the right pieces, so I started representing furniture companies. This allowed me to decorate the space while using it as a showroom for curated pieces.”
The personal renovation project in Grafton became a canvas for experimentation. With a two-story open floor plan, the furniture itself defines spaces. “We selected large-scale contemporary pieces—especially sofas—to naturally delineate areas without walls,” he says. Cliff’s instinctive eye combines innovation, craftsmanship, and storytelling with gut instinct, guiding every selection.
Augustus Jones gained early recognition when Globe and Mail columnist John Bentley Mays featured the Grafton showroom for AZURE Magazine, followed by coverage of Cliff’s Toronto home. These moments validated his vision and confirmed he was on the right path.
The store’s philosophy is simple: curate pieces you love, often from European brands previously unseen in Toronto, including Vincent Sheppard, Prostoria, and True Design. “We choose brands and items that resonate personally, and that approach naturally creates a thoughtful, distinctive collection,” Cliff notes.


Cliff’s publishing background also shaped his aesthetic. He contributed to SPEAR Magazine, a pioneering Black publication founded by Danny Gooding, and designed the paper for SHARE Magazine, founded by Arnold Auguste. His work also includes Like OWL, Chickadee, Chatelaine, and educational series such as Language Arts IMPRESSIONS and Math Quest, collaborating with illustrators and photographers across Canada, the U.S., and Europe.
Looking ahead, Cliff plans to close the Toronto showroom and expand into a 12,000-square-foot Grafton property, combining a showroom with cultural programming: master classes, exhibitions, a bookstore, and events spanning music, fashion, and film. “I want it to be a creative hub,” he says. “We’ll partner with experts to curate experiences, from outdoor movie nights to chef-led events in a fully equipped kitchen.”
Books will play an integral role. Cliff admires William Stout Books in San Francisco, Assouline in Paris, and VITRA in Germany, hoping to bring their selections to the Grafton space. The property also accommodates weddings and large events, blending function with design.










Cliff’s personal style mirrors his professional philosophy: 20th-century modernism with contemporary touches. His home features a Le Corbusier LC4 lounge, Barcelona chair and Ottoman, Noguchi coffee table, Rietveld Red & Blue chair, LC6 dining table, and Massimo Iosa Ghini chairs. These pieces reflect history, personal taste, and a lifelong appreciation for craftsmanship.
On the future of luxury furniture, Cliff foresees continued innovation, including AI-assisted custom designs, new materials, and increased access for underrepresented designers. He highlights Saloni in Milan as a hub for emerging talent from around the world.
To young designers, his advice is simple: “Good designers have innate ability, a clear point of view, and the perseverance to stick to their own aesthetics. Authenticity and persistence are invaluable in this industry.”
Cliff’s legacy extends beyond Augustus Jones. From groundbreaking work in Black Canadian publications to award-winning educational projects, his contributions have shaped communities, elevated Black talent, and influenced the Canadian creative landscape.
Augustus Jones is more than a furniture store. It is a vision, a story, and a cultural ecosystem. Through Grafton, Cliff Smith offers a space that celebrates craftsmanship, fosters creativity, and connects generations of designers, artisans, and enthusiasts—continuing a lifelong dedication to experiences that inspire and endure.
WWW.AUGUSTUSJONES.COM
To young designers, his advice is simple: “Good designers have innate ability, a clear point of view, and the perseverance to stick to their own aesthetics. Authenticity and persistence are invaluable in this industry.”
Cliff’s legacy extends beyond Augustus Jones. From groundbreaking work in Black Canadian publications to award-winning educational projects, his contributions have shaped communities, elevated Black talent, and influenced the Canadian creative landscape.
Augustus Jones is more than a furniture store. It is a vision, a story, and a cultural ecosystem. Through Grafton, Cliff Smith offers a space that celebrates craftsmanship, fosters creativity, and connects generations of designers, artisans, and enthusiasts—continuing a lifelong dedication to experiences that inspire and endure.




"Good designers have innate ability, a clear point of view, and the perseverance to stick to their own aesthetics. Authenticity and persistence are invaluable in this industry."


DENISE
DAVID
The Power of Intentional Elegance
By Taye Omari


There are designers who speak loudly through spectacle, and then there are those who communicate with clarity, restraint, and intention. Denise David belongs firmly in the latter. Known for her refined silhouettes and quiet confidence, the Denise David Collection has always balanced softness with strength. With the introduction of the bow purse, that philosophy finds a new and striking form.
The bow purse emerged organically, born from Denise’s fascination with contrast. Traditionally associated with delicacy or overt femininity, the bow became an opportunity to challenge perception. Through structure, scale, and intention, it transforms into something powerful. Sculptural yet wearable, the bag carries presence without unnecessary embellishment, functioning as both an accessory and a statement of confidence.
For Denise, accessories are where a designer’s point of view becomes unmistakable. They distill the brand down to its essentials. The bow purse offered space to expand her design language beyond apparel while remaining deeply connected to the same emotional and architectural principles found in her garments. Clean lines, strong structure, and a quiet sensuality define both worlds.


The purse is not meant to fade into the background. It holds its own, much like the women Denise designs for. Whether styled with a full look or worn on its own, the bow purse carries the same DNA as her clothing: thoughtful, feminine, and unapologetically bold. It allows more people to step into the Denise David universe without compromise.
At the core of her work is intentional elegance. Denise designs pieces that exist beyond trend cycles, allowing the wearer to remain the focal point. Strength and elegance are not opposing forces in her world. They coexist through precision, proportion, and restraint. Luxury is felt in the weight of materials, the integrity of construction, and the way each piece holds its form over time.
Building a luxury brand as a Black Canadian designer has required resilience, clarity, and self definition. Limited access early on sharpened Denise’s focus and reinforced her commitment to quality and longevity over noise or spectacle. Those principles are evident in every piece she creates.
In a fashion landscape driven by constant demand for attention, Denise David offers something rarer. Her work does not chase relevance. It defines it quietly, with discipline, confidence, and purpose.
The bow purse ultimately reflects the same values that have always defined Denise David’s work. It carries her signature balance of strength and softness, intention and ease, allowing the brand’s perspective to be felt in a new form without needing explanation. Like her garments, it is designed to be lived with, to hold presence without overstatement, and to offer the wearer a sense of confidence that feels both natural and assured. In a landscape often driven by immediacy, Denise continues to build quietly, trusting that clarity, restraint, and purpose will always speak for themselves.
WWW.DENISEDAVIDCOLLECTION.COM
The purse is not meant to fade into the background. It holds its own, much like the women Denise designs for. Whether styled with a full look or worn on its own, the bow purse carries the same DNA as her clothing: thoughtful, feminine, and unapologetically bold. It allows more people to step into the Denise David universe without compromise.
At the core of her work is intentional elegance. Denise designs pieces that exist beyond trend cycles, allowing the wearer to remain the focal point. Strength and elegance are not opposing forces in her world. They coexist through precision, proportion, and restraint. Luxury is felt in the weight of materials, the integrity of construction, and the way each piece holds its form over time.
Building a luxury brand as a Black Canadian designer has required resilience, clarity, and self definition. Limited access early on sharpened Denise’s focus and reinforced her commitment to quality and longevity over noise or spectacle. Those principles are evident in every piece she creates.
In a fashion landscape driven by constant demand for attention, Denise David offers something rarer. Her work does not chase relevance. It defines it quietly, with discipline, confidence, and purpose.
The bow purse ultimately reflects the same values that have always defined Denise David’s work. It carries her signature balance of strength and softness, intention and ease, allowing the brand’s perspective to be felt in a new form without needing explanation. Like her garments, it is designed to be lived with, to hold presence without overstatement, and to offer the wearer a sense of confidence that feels both natural and assured. In a landscape often driven by immediacy, Denise continues to build quietly, trusting that clarity, restraint, and purpose will always speak for themselves.


OLUWA
TOSIN
Design with Intention: The Vision of Atelier Oluwa Tosin
By Lily Yange
Atelier Oluwa Tosin (AO) began with a conviction that beauty is worth defending. Oluwa Tosin’s journey into design started in architecture, studying at UBC for her undergraduate degree and Harvard for her Master’s. But it wasn’t long before she discovered that her true gift extended beyond buildings—into shaping feelings, emotions, and experiences through space, imagery, and textures. Her early work with brands allowed her to explore how design could delight, inspire, and move audiences. Later, completing an MBA brought strategy consulting into her practice, giving rise to AO—a studio dedicated to making life itself more artful, where every detail, from typeface to event activation, tells a story.
Oluwa’s design philosophy is grounded in Gesamtkunstwerk, the principle of total design. Each project is approached as a unified ecosystem, where strategy, storytelling, and environment work in concert to create seamless, emotionally resonant experiences. Luxury, for her, is defined not by excess but by intention. Every project is guided by reverence for craft, history, and emotional impact. The result is work that is refined, alive, intelligent, and deeply human.














Her creative process is strategy-driven. Listening closely to her clients, Oluwa seeks to uncover their stories, their heritage, and the emotions they wish to evoke. From research and sketching to prototyping and layering strategy with visual storytelling, every project emerges through dialogue—between heritage and modernity, between client and culture. Raised in South Africa to Nigerian parents and raised in Canada, she draws on both Yoruba symbolism and Western minimalism, translating complex cultural narratives into spaces that resonate universally.
AO’s signature style is sophisticated and timeless, with a touch of eccentricity—like jazz visualized. Classic foundations meet unexpected details, requiring technical mastery to execute, resulting in elegance that lingers. Materiality is central: paper, brass, wood, and other elements are treated as storytellers. Sustainability, to her, is holistic, encompassing environmental, social, and economic responsibility. She hires diverse talent, ensures livable wages, and creates work that endures, avoiding premature replacement.
Oluwa admits that the biggest challenge was leaving the corporate “safety” of established firms to pursue her own vision. The effort required to build a practice from scratch mirrored the effort many put into advancing within corporate structures—but here, every success is intentional, every opportunity earned. Mentorship and collaboration have been transformative, from global organizations to small businesses, with projects like CBC’s Black on the Prairies opening doors to prestigious clients like the University of Calgary and Canada Post.
Looking ahead, Oluwa envisions AO as a global consultancy redefining luxury through radical inclusion and strategy. She is particularly excited by immersive spatial experiences, pop-ups, and activations that translate digital campaigns into physical reality. Half a dozen projects are always underway, each offering a unique sense of joy and cultural resonance.
Her advice to emerging designers is rooted in audacity and authenticity: embrace unapologetic joy, take up space boldly, and show up consistently. Growth comes when humility and decisiveness coexist, when audacity is paired with thoughtful action. Launching your own path is not just about creating work—it’s about showing up, marketing yourself, and persevering to see your vision flourish.
Oluwa Tosin’s Atelier exemplifies a new kind of luxury—one that blends strategy, cultural insight, and artistry into experiences that are at once timeless, human, and deeply meaningful. Her work demonstrates that design is not merely about aesthetics; it is a narrative, a philosophy, and a force for creating intentional, unforgettable moments.
WWW.OLUWATOSIN.NET
Her creative process is strategy-driven. Listening closely to her clients, Oluwa seeks to uncover their stories, their heritage, and the emotions they wish to evoke. From research and sketching to prototyping and layering strategy with visual storytelling, every project emerges through dialogue—between heritage and modernity, between client and culture. Raised in South Africa to Nigerian parents and raised in Canada, she draws on both Yoruba symbolism and Western minimalism, translating complex cultural narratives into spaces that resonate universally.
AO’s signature style is sophisticated and timeless, with a touch of eccentricity—like jazz visualized. Classic foundations meet unexpected details, requiring technical mastery to execute, resulting in elegance that lingers. Materiality is central: paper, brass, wood, and other elements are treated as storytellers. Sustainability, to her, is holistic, encompassing environmental, social, and economic responsibility. She hires diverse talent, ensures livable wages, and creates work that endures, avoiding premature replacement.
Oluwa admits that the biggest challenge was leaving the corporate “safety” of established firms to pursue her own vision. The effort required to build a practice from scratch mirrored the effort many put into advancing within corporate structures—but here, every success is intentional, every opportunity earned. Mentorship and collaboration have been transformative, from global organizations to small businesses, with projects like CBC’s Black on the Prairies opening doors to prestigious clients like the University of Calgary and Canada Post.
Looking ahead, Oluwa envisions AO as a global consultancy redefining luxury through radical inclusion and strategy. She is particularly excited by immersive spatial experiences, pop-ups, and activations that translate digital campaigns into physical reality. Half a dozen projects are always underway, each offering a unique sense of joy and cultural resonance.
Her advice to emerging designers is rooted in audacity and authenticity: embrace unapologetic joy, take up space boldly, and show up consistently. Growth comes when humility and decisiveness coexist, when audacity is paired with thoughtful action. Launching your own path is not just about creating work—it’s about showing up, marketing yourself, and persevering to see your vision flourish.
Oluwa Tosin’s Atelier exemplifies a new kind of luxury—one that blends strategy, cultural insight, and artistry into experiences that are at once timeless, human, and deeply meaningful. Her work demonstrates that design is not merely about aesthetics; it is a narrative, a philosophy, and a force for creating intentional, unforgettable moments.


ZOBA
MARTIN
Bridal Couture for the Modern Bride: How Zoba Martin Transforms Bridal Visions into Timeless Luxury.
By Lily Yange
In the heart of Toronto’s vibrant fashion scene, a designer has emerged who is redefining what it means to create luxury with purpose. Chizoba Udeh-Martin, the visionary founder behind Zoba Martin, has transformed a lifelong passion for fashion into a brand that celebrates individuality, cultural heritage, and the artistry of the modern woman. Her designs are more than garments—they are stories, statements, and carefully crafted experiences that speak to strength, elegance, and personal identity.
Chizoba’s journey began in Nigeria, where she was immersed in a family steeped in creativity and a love for design. Her mother, a fashion school graduate, and her aunt, who designed her own wedding dress, instilled in her a deep appreciation for craftsmanship and a fascination with how clothing could express identity and emotion. Those early experiences planted the seeds for a career rooted in narrative, tradition, and meticulous attention to detail. In 2009, she moved to Canada, pursuing a Bachelor of Commerce in Entrepreneurship at the University of Ottawa, an educational path that complemented her creative vision with strategic business insight. Her education continued at LaSalle College Toronto, where she refined her skills in fashion design, pattern making, and couture techniques, blending academic rigor with creative exploration.
In 2016, Chizoba launched Zoba Martin, a luxury fashion brand specializing in bespoke couture and bridal wear. From the outset, the brand was conceived as more than a collection of clothing—it was an invitation for women to embrace their individuality through design. Each piece is meticulously crafted to tell a story, to capture the personality, heritage, and aspirations of the wearer. From bold, sculptural silhouettes to delicate, intricate detailing, Zoba Martin designs are a fusion of traditional craftsmanship and contemporary innovation. Vibrant colors, luxurious fabrics, and textures inspired by her Nigerian heritage are seamlessly woven into garments that feel both timeless and modern. Every creation is a statement, a work of art, and a reflection of personal identity.
Sustainability is central to Chizoba’s ethos. By focusing on custom, made-to-order
garments, the brand minimizes waste, reducing the environmental impact typically associated with mass production. Ethical sourcing is paramount—luxurious fabrics and materials are selected with care, and local artisans are engaged to ensure each piece is
responsibly produced.
This dedication to sustainability and ethical practice enhances
the intrinsic value of the garments, allowing clients to invest not only in fashion but
in integrity and purpose. In this way, each dress becomes more than clothing; it is a
conscious choice, a tangible reflection of the values of both designer and wearer.
Sustainability is central to Chizoba’s ethos. By focusing on custom, made-to-order
garments, the brand minimizes waste, reducing the environmental impact typically associated with mass production. Ethical sourcing is paramount—luxurious fabrics and materials are selected with care, and local artisans are engaged to ensure each piece is responsibly produced.
This dedication to sustainability and ethical practice enhances
the intrinsic value of the garments, allowing clients to invest not only in fashion but in integrity and purpose. In this way, each dress becomes more than clothing; it is a conscious choice, a tangible reflection of the values of both designer and wearer.




Recognition has followed Chizoba’s unwavering commitment to quality and vision. In 2018, she was honored with the Emerging Designer of the Year Award from African Fashion Week Toronto, solidifying her position as a rising star in Canada’s
luxury fashion landscape. Her creations have graced prestigious runway events such
as Fashion Art Toronto and Cashmere Couture for the Cure, moments that have showcased the brand’s ability to merge aesthetic brilliance with cultural storytelling.
Beyond the runway, Zoba Martin has made waves in popular culture: Canadian music icons, including Drake and Michie Mee, have worn her bespoke designs, and Chizoba has contributed to OVO Sound through custom creations for music videos and tours, bringing her artistry to a global audience.


Chizoba’s approach to design is deeply personal, guided by the philosophy that fashion should empower women to express their authentic selves. She draws inspiration from architecture, art, nature, and global cultures, translating these influences into garments that balance structure with fluidity, elegance with audacity. Each collection is curated with an eye for detail, a reverence for heritage, and a desire to push boundaries while maintaining timeless appeal. Her work reflects a nuanced understanding of how clothing can embody emotion, tell stories, and create experiences that linger long after a garment is worn.
Beyond the runway, Zoba Martin has made waves in popular culture: Canadian music icons, including Drake and Michie Mee, have worn her bespoke designs, and Chizoba has contributed to OVO Sound through custom creations for music videos and tours, bringing her artistry to a global audience.


Despite her achievements, Chizoba remains committed to growth, innovation, and the evolution of her craft. She continually explores new collaborations, materials, and techniques, ensuring that Zoba Martin evolves with the times without compromising its foundational principles of authenticity, quality, and individuality. Upcoming collections promise to expand her bridal offerings, experiment with new silhouettes and textiles, and explore cross-cultural collaborations, demonstrating a vision that is both expansive and precise. Her clients are not merely purchasers of fashion—they are participants in a dialogue, a narrative, and a shared celebration of artistry.
At its core, Zoba Martin is more than a brand; it is a testament to the power of purpose-driven design. Chizoba’s journey is an ode to creativity, resilience, and cultural pride, embodying a philosophy that beauty and intention are inseparable. Every stitch, seam, and embellishment is infused with thought, care, and narrative, allowing each wearer to experience the transformative power of couture. The brand stands as a beacon of excellence in Canadian fashion, elevating Black designers on both national and international stages while inspiring the next generation of creatives to embrace their vision boldly and unapologetically.
Through her work, Chizoba Udeh-Martin is not only shaping the present of fashion but also defining its future. Zoba Martin is a celebration of individuality, a bridge between heritage and contemporary luxury, and a reminder that clothing, at its best, is both art and expression. In every collection, every custom piece, and every meticulously handcrafted garment, Chizoba continues to tell stories that matter, crafting not just fashion but legacies.
WWW.ZOBAMARTIN.COM
Despite her achievements, Chizoba remains committed to growth, innovation, and the evolution of her craft. She continually explores new collaborations, materials, and techniques, ensuring that Zoba Martin evolves with the times without compromising its foundational principles of authenticity, quality, and individuality. Upcoming collections promise to expand her bridal offerings, experiment with new silhouettes and textiles, and explore cross-cultural collaborations, demonstrating a vision that is both expansive and precise. Her clients are not merely purchasers of fashion—they are participants in a dialogue, a narrative, and a shared celebration of artistry.
At its core, Zoba Martin is more than a brand; it is a testament to the power of purpose-driven design. Chizoba’s journey is an ode to creativity, resilience, and cultural pride, embodying a philosophy that beauty and intention are inseparable. Every stitch, seam, and embellishment is infused with thought, care, and narrative, allowing each wearer to experience the transformative power of couture. The brand stands as a beacon of excellence in Canadian fashion, elevating Black designers on both national and international stages while inspiring the next generation of creatives to embrace their vision boldly and unapologetically.
Through her work, Chizoba Udeh-Martin is not only shaping the present of fashion but also defining its future. Zoba Martin is a celebration of individuality, a bridge between heritage and contemporary luxury, and a reminder that clothing, at its best, is both art and expression. In every collection, every custom piece, and every meticulously handcrafted garment, Chizoba continues to tell stories that matter, crafting not just fashion but legacies.






DESIGN
DUALITY
INSIDE THE WORLD
OF NNDYVE
Steph Small is a Toronto based design directore and cerative visionary shaping the intersection of fashion, film, and story.
By George Sully
As the founder of NNDYVE, a luxury ready to wear label inspired by her Barbadian heritage and the rich cultural tapestry of the Caribbean diaspora, the brand tells a story of heritage, identity, and creative exploration, embodying the essence of duality in every detail. Her debut collection, Salt Water, is a portrait of resilience and reflection, told through six characters who embody the strength of labor, the beauty of tradition, and the quiet power of the unseen.
As an artist, Small moves fluidly between mediums. Through her creative studio, Small Studios, she builds narratives that live beyond fashion, where clothing, film, and story become chapters of the same language. “I’m always inspired to tell stories that reimagine the familiar,” she reflects. “To take what we already know and see it in a new light.”
Authenticity is her compass, and storytelling is its expression. Small designs from truth, from what she knows to be real rather than what the world expects. She believes inspiration often reveals itself in moments of honesty, in the courage to be who you are rather than who you think you should be. “If you want to tell stories, don’t chase what feels perfect; chase what feels real. The voice you’re looking for will come when you stop trying to sound like someone else.” Her process is rooted in curiosity, in allowing instinct to lead, and in trusting that each idea arrives with its own sense of timing. Through design, she brings emotion to the surface, shaping stories that can be seen, touched, and felt.
“Toronto has taught me the importance of building worlds that hold duality, structure and softness, industry and intimacy, clarity and chaos. My work exists within that balance. Design is how I listen, how I make sense of what the world is trying to say.”
Small believes that mastery lives in movement, that taking creative risks, embracing mistakes, and remaining open are all parts of the same act of devotion. “Learn to love the journey of creativity. Keep learning, keep trying, put your hours in. Mastery doesn’t happen overnight, so be patient with your process. The real joy is in the becoming, in falling in love with the work itself.”
WWW.NNDYVE.COM
As the founder of NNDYVE, a luxury ready to wear label inspired by her Barbadian heritage and the rich cultural tapestry of the Caribbean diaspora, the brand tells a story of heritage, identity, and creative exploration, embodying the essence of duality in every detail. Her debut collection, Salt Water, is a portrait of resilience and reflection, told through six characters who embody the strength of labor, the beauty of tradition, and the quiet power of the unseen.
As an artist, Small moves fluidly between mediums. Through her creative studio, Small Studios, she builds narratives that live beyond fashion, where clothing, film, and story become chapters of the same language. “I’m always inspired to tell stories that reimagine the familiar,” she reflects. “To take what we already know and see it in a new light.”
Authenticity is her compass, and storytelling is its expression. Small designs from truth, from what she knows to be real rather than what the world expects. She believes inspiration often reveals itself in moments of honesty, in the courage to be who you are rather than who you think you should be. “If you want to tell stories, don’t chase what feels perfect; chase what feels real. The voice you’re looking for will come when you stop trying to sound like someone else.” Her process is rooted in curiosity, in allowing instinct to lead, and in trusting that each idea arrives with its own sense of timing. Through design, she brings emotion to the surface, shaping stories that can be seen, touched, and felt.
“Toronto has taught me the importance of building worlds that hold duality, structure and softness, industry and intimacy, clarity and chaos. My work exists within that balance. Design is how I listen, how I make sense of what the world is trying to say.”
Small believes that mastery lives in movement, that taking creative risks, embracing mistakes, and remaining open are all parts of the same act of devotion. “Learn to love the journey of creativity. Keep learning, keep trying, put your hours in. Mastery doesn’t happen overnight, so be patient with your process. The real joy is in the becoming, in falling in love with the work itself.”

HEATHER
DORAM

HEATHER
DORAM
Art, Identity, and the Spirit of Antigua
By Beverly Fala
Photography By | Polishedpixproductions.com
Dress | flyingdressanu.com
Born and raised on the sugar estates of Antigua and Barbuda, Heather Doram has become a national symbol of creativity, resilience, and cultural pride. Her mother was a seamstress and her father worked in the sugar industry, influences that shaped her lifelong fascination with color, texture, and storytelling through design.
Heather’s creative journey began at the University of the West Indies, where she earned an Associate Degree in Education, before continuing to the Edna Manley College of the Visual and Performing Arts in Jamaica, where she completed her BFA in Textiles. Her studies later took her to the Savannah College of Art and Design in the United States. There, her thesis work was chosen to represent the school at the Venice Biennale, and several of her pieces were added to the university’s permanent collection.








In 1992, Heather designed the national costume of Antigua and Barbuda, which became official two years later. Its vivid red, gold, and green madras, layered with a crisp white pinafore, tells the story of labor, celebration, and independence. The design
remains a powerful cultural emblem, worn with pride across generations.
Her work extends beyond fashion. Heather’s murals, mixed-media installations, and textile pieces are visual poetry. One of her most recognized public works, the mural at V.C. Bird International Airport, greets visitors with an explosion of color and symbol-ism that captures the warmth and soul of the island. She once described her art as an invitation to “look closer,” using surface and material to spark curiosity and dialogue.
Heather has also served as Antigua’s Director of Culture, furthering her commitment to using art as a tool for education and empowerment. She is an actress, performer, and advocate for preserving Caribbean identity in modern creative spaces.
For BDC Magazine, Heather Doram represents what happens when heritage meets innovation. Her artistry reminds us that design is more than beauty; it is language,
history, and connection. In her hands, fabric becomes a map of memory, and color be-
comes a voice for her people. Through her work, Heather continues to redefine what it
means to create from the heart of the Caribbean while inspiring designers everywhere to celebrate who they are.
WWW.HEATHERDORAMART.COM
In 1992, Heather designed the national costume of Antigua and Barbuda, which became official two years later. Its vivid red, gold, and green madras, layered with a crisp white pinafore, tells the story of labor, celebration, and independence. The design
remains a powerful cultural emblem, worn with pride across generations.
Her work extends beyond fashion. Heather’s murals, mixed-media installations, and textile pieces are visual poetry. One of her most recognized public works, the mural at V.C. Bird International Airport, greets visitors with an explosion of color and symbol-ism that captures the warmth and soul of the island. She once described her art as an invitation to “look closer,” using surface and material to spark curiosity and dialogue.
Heather has also served as Antigua’s Director of Culture, furthering her commitment to using art as a tool for education and empowerment. She is an actress, performer, and advocate for preserving Caribbean identity in modern creative spaces.
For BDC Magazine, Heather Doram represents what happens when heritage meets innovation. Her artistry reminds us that design is more than beauty; it is language,
history, and connection. In her hands, fabric becomes a map of memory, and color be-
comes a voice for her people. Through her work, Heather continues to redefine what it
means to create from the heart of the Caribbean while inspiring designers everywhere to celebrate who they are.



THAT
THAT
LINES
LINES
SPEAK
SPEAK
The Artistry of Yaw Tony
When I first met Yaw Tony, it was not in a bustling gallery or at a runway show. It was in a quiet studio, a space alive with the subtle hum of creativity, where sketches and digital canvases coexisted seamlessly. Watching him work, I realized quickly that Yaw does not need to raise his voice to make an impact. His work speaks volumes on its own.
He told me that there was never a single moment that defined his journey into art. It came naturally. As long as he can remember, he has been drawing. But it is not just drawing for the sake of art. It is storytelling. His inspiration comes from folklore, proverbs, and universal narratives that transcend borders. “First, I decide on the story I want to tell,” he explained, “then I hand-sketch the characters and the scene. After digitizing and colorizing, the work comes to life, whether on paper or even silk for wearable art.” Each piece is frozen in time yet teeming with the vibrancy of life and culture.
Color, Tony tells me, is where his soul speaks loudest. He describes breaking the rules of color, deconstructing and redefining them to reflect the emotional spectrum inherent in life. Growing up with Ghanaian High-Life music, he absorbed the rhythm of storytelling, the cadence of proverbs, and the layered symbolism of Adinkra icons, ideograms that capture philosophy, human behavior, and the relationship between nature and humanity. “All colors complement each other,” he says. “You just need to understand how to make them work.” For Tony, design is more than aesthetics. It is an orchestration of emotion, culture, and meaning.
Architecture and historical artists have also left indelible marks on his work. From Frank Lloyd Wright’s harmonious forms to Vincent van Gogh’s emotional intensity, Tony’s creative DNA is layered and nuanced. But it is his philosophy that truly sets him apart. He believes every person is born with gifts and potential and that the purpose of life and design is to serve humanity. “Design concepts should not be money-driven,” he says. “They must serve people. If you understand humanity and purpose, your work remains relevant across time.”
Of course, mastery does not come without challenges. Yaw has faced the difficult task of conveying ideas that initially seem foreign to the masses. Yet he approaches every obstacle with the same focus and humility, sharpening his craft, trusting his purpose, and remaining unwaveringly true to his vision. “Purpose is far more important than the challenges,” he reflects.
This commitment to self-discovery and authenticity is what defines Yaw Tony’s artistic journey. “I aspire to be myself,” he says. “Once you discover yourself, no one can tell you otherwise.” His work is intentionally existential, grappling with fundamental questions: Who am I? Where am I from? Why am I here? What can I do? Where am I going? Each piece acts as a mirror, inviting audiences to reflect on their own inner selves.










Collaboration and mentorship are equally important to him. Tony understands that creativity does not exist in isolation. It thrives when shared. He credits other creatives for passing down knowledge and fostering dialogue, sharpening ideas, and nurturing the next generation. At the same time, he is committed to maintaining a personal vision, using new technologies and industry shifts as tools rather than definitions of his work.
Looking ahead, Tony’s ambitions are global. His brand, Life Liveth, is poised to stand alongside the world’s most prestigious luxury houses, with Simons carrying his work this year and plans to expand internationally. Yet despite the accolades and growing recognition, the essence of his work remains rooted in quiet impact, cultural dialogue, and unwavering authenticity.




WWW.YAWTONY.COM
“All colors complement each other... You just need to understand how to make them work.”
It is for these reasons that Yaw Tony graces the cover of this issue. His artistry is bold yet understated, visionary yet deliberate, a perfect embodiment of the ethos of Black Designers of Canada Magazine. He makes noise quietly and leaves a lasting mark without ever needing to shout. In his hands, design is more than creation. It is philosophy, culture, and purpose distilled into every line, color, and form. Yaw Tony does not just design. He invites us to see, reflect, and discover ourselves along the way. That is the loudest statement of all.












In Conversation with Andrew Bank, Founder of Bank Vodka
SPIRITS
DESIGNER
BDC Magazine (BDC): Tell us about Bank Vodka.
Andrew Bank (AB): Bank Vodka is more than a spirit; it’s designed for people who value
quality, meaningful experiences, and elevated moments. Every bottle reflects
craftsmanship, intention, and refinement. It’s a vodka you discover, not just drink.
BDC: What does an evening with Bank Vodka look like?
AB: It’s a well-curated evening, with great company and thoughtful conversation in an environment that feels effortless yet elevated. It’s about presence, not performance. Bank Vodka complements the moment; it doesn’t compete with it.
BDC: Who drinks Bank Vodka?
AB: Bank Vodka is for people who choose quality over quantity: professionals, creatives, entrepreneurs; those who are confident in who they are and intentional about the brands they invite into their lives. Their choices reflect
their taste and lifestyle, and Bank Vodka aligns effortlessly.
BDC: Why did you choose a more curated distribution approach?
AB: Discovery is part of the experience. By being intentional about where Bank Vodka is available, we preserve the authenticity of the brand. When consumers discover it, it feels earned.
BDC: Where can Bank Vodka be experienced?
AB: We’ve chosen to introduce Bank Vodka through a select group of premium dining destinations, including St. Regis, One Restaurant, STK, Nobu, and Bymark. These are spaces where intention, atmosphere, and quality define the
experience. A full list of partners is available at
WWW.BANKVODKA.COM
AB: We’ve chosen to introduce Bank Vodka through a select group of premium dining destinations, including St. Regis, One Restaurant, STK, Nobu, and Bymark. These are spaces where intention, atmosphere, and quality define the
experience. A full list of partners is available at


UNIFIED BY
DESIGN
George Sully and Jennifer Lipkowitz on collaboration, community, and creative leadership.
By George Sully
George Sully (GS): You’ve built Living Luxe Magazine into one of Canada’s most respected lifestyle publications, beautifully merging design, art, and storytelling. What was the original vision when you founded the magazine, and how has that evolved as the publication—and you—have grown?
Jennifer Lipkowitz (JL): My original vision for Living Luxe Magazine was to create a publication that seamlessly combined design, architecture, and lifestyle. From the beginning, it felt important not to limit ourselves to a design and architectural magazine, but instead to explore the many facets that enrich the way we live. We expanded into art, fashion, and lifestyle, layers that bring depth, inspiration, and a broader sense of connection for our readers. Our multidimensional approach has shaped both the magazine’s evolution and my own, reinforcing the belief that the most captivating stories live at the intersection of creativity and everyday life.
"When deciding who to spotlight, we’re always looking for alignment with Living Luxe - authenticity, excellence, and a story that adds meaning to the world of design and lifestyle. We want to showcase talent from all backgrounds, and diversity remains a core value for us."
GS: Having covered some of Canada’s top brands and designers, including my own brand Sully & Son Co., how do you decide which voices and stories deserve a platform in Living Luxe? What’s the creative or emotional spark that makes something feel like a “Living Luxe” story?
JL: Having been in the industry for almost 20 years, I’ve built relationships with many of the designers, creatives, and brands we feature, but discovering new voices is just as important to us. When deciding who to spotlight, we’re always looking for alignment with Living Luxe – authenticity, excellence, and a story that adds meaning to the world of design and lifestyle. We want to showcase talent from all backgrounds, and diversity remains a core value for us. One of my favourite examples was our cover of the Design Issue four years ago, at the start of the pandemic, featuring seven women designers from different cultures and experiences, each one representing the strength and creativity of our country. A Living Luxe story feels genuinely unique, purposeful, and deserving of a platform.
GS: We’ve had the pleasure of working together over the years, from editorial features to my role as a judge for The Living Luxe Design Show. What does community collaboration mean to you, and how important is it for design leaders to lift each other up in this industry?
JL: Absolutely, we’ve had the privilege of collaborating for three years now, and appointing you a judge alongside our other esteemed judges has been a natural fit. To me, community collaboration is essential. It’s important to surround yourself with people who share similar core values, individuals who are fair, strong, genuine, and committed to uplifting the industry as a whole. When judging any competition, integrity is a non-negotiable. Every contestant deserves to be evaluated with fairness and respect, and that’s why we’re so intentional about who we invite to be part of that process. At the core, the design world thrives on connection. No matter where you come from, everyone wants to belong, feel supported, and be part of something bigger than themselves. That’s why we’ve worked so hard to build a true community through Living Luxe, because in the end, friendship, unity, and shared purpose are what this industry is all about.
GS: Luxury is constantly being redefined. In your view, what does luxury mean today? How does Living Luxe balance the aspirational with the authentic in a way that feels both accessible and elevated?
JL: Luxury means something different to everyone, but for me, it’s rooted in purpose. True luxury is being part of something meaningful and having the ability to create work every day that you’re proud of. That’s precisely what we’ve built at Living Luxe. Not everyone has the privilege of choosing a career that aligns with their passion; many people do what they must do to support their families. A meaningful aspect of having that privilege is that I have the time, and make the time, to give back. Supporting charities and providing them with a platform to create awareness for important causes is one of the most rewarding parts of what we do. At Living Luxe, we balance the aspirational with the authentic by staying grounded in that purpose. Luxury, to us, isn’t just about beautiful things; it’s about creating value, fostering connection, and contributing to something bigger than ourselves.
GS: As you look toward the future of Living Luxe, what new directions or projects excite you most? How do you see the magazine continuing to shape and influence Canada’s design and lifestyle landscape in the years ahead?
JL: As I look ahead into 2026, there is so much to be excited about. One of the highlights is the Living Luxe Design Show 2026, taking place April 16-19 at the Toronto Congress Centre. Each year, we challenge ourselves to push the boundaries, creating new mystery areas, innovation, lifestyle, and fashion experiences. It’s a privilege to create a show that establishes Toronto as a destination for architecture, design, fashion, and more. I’m also excited about the continuing growth of our marketing agency, which allows us to support and elevate a wide range of brands.
And of course, the magazine remains at the heart of it all. Every issue allows me to collaborate with creative minds and showcase the best of what Canada contributes to the global design landscape.
WWW.LIVINGLUXE.CA
GS: Having covered some of Canada’s top brands and designers, including my own brand Sully & Son Co., how do you decide which voices and stories deserve a platform in Living Luxe? What’s the creative or emotional spark that makes something feel like a “Living Luxe” story?
JL: Having been in the industry for almost 20 years, I’ve built relationships with many of the designers, creatives, and brands we feature, but discovering new voices is just as important to us. When deciding who to spotlight, we’re always looking for alignment with Living Luxe – authenticity, excellence, and a story that adds meaning to the world of design and lifestyle. We want to showcase talent from all backgrounds, and diversity remains a core value for us. One of my favourite examples was our cover of the Design Issue four years ago, at the start of the pandemic, featuring seven women designers from different cultures and experiences, each one representing the strength and creativity of our country. A Living Luxe story feels genuinely unique, purposeful, and deserving of a platform.
GS: We’ve had the pleasure of working together over the years, from editorial features to my role as a judge for The Living Luxe Design Show. What does community collaboration mean to you, and how important is it for design leaders to lift each other up in this industry?
JL: Absolutely, we’ve had the privilege of collaborating for three years now, and appointing you a judge alongside our other esteemed judges has been a natural fit. To me, community collaboration is essential. It’s important to surround yourself with people who share similar core values, individuals who are fair, strong, genuine, and committed to uplifting the industry as a whole. When judging any competition, integrity is a non-negotiable. Every contestant deserves to be evaluated with fairness and respect, and that’s why we’re so intentional about who we invite to be part of that process. At the core, the design world thrives on connection. No matter where you come from, everyone wants to belong, feel supported, and be part of something bigger than themselves. That’s why we’ve worked so hard to build a true community through Living Luxe, because in the end, friendship, unity, and shared purpose are what this industry is all about.
GS: Luxury is constantly being redefined. In your view, what does luxury mean today? How does Living Luxe balance the aspirational with the authentic in a way that feels both accessible and elevated?
JL: Luxury means something different to everyone, but for me, it’s rooted in purpose. True luxury is being part of something meaningful and having the ability to create work every day that you’re proud of. That’s precisely what we’ve built at Living Luxe. Not everyone has the privilege of choosing a career that aligns with their passion; many people do what they must do to support their families. A meaningful aspect of having that privilege is that I have the time, and make the time, to give back. Supporting charities and providing them with a platform to create awareness for important causes is one of the most rewarding parts of what we do. At Living Luxe, we balance the aspirational with the authentic by staying grounded in that purpose. Luxury, to us, isn’t just about beautiful things; it’s about creating value, fostering connection, and contributing to something bigger than ourselves.
GS: As you look toward the future of Living Luxe, what new directions or projects excite you most? How do you see the magazine continuing to shape and influence Canada’s design and lifestyle landscape in the years ahead?
JL: As I look ahead into 2026, there is so much to be excited about. One of the highlights is the Living Luxe Design Show 2026, taking place April 16-19 at the Toronto Congress Centre. Each year, we challenge ourselves to push the boundaries, creating new mystery areas, innovation, lifestyle, and fashion experiences. It’s a privilege to create a show that establishes Toronto as a destination for architecture, design, fashion, and more. I’m also excited about the continuing growth of our marketing agency, which allows us to support and elevate a wide range of brands.
And of course, the magazine remains at the heart of it all. Every issue allows me to collaborate with creative minds and showcase the best of what Canada contributes to the global design landscape.


CREATIVE
COUNSEL
Industry wisdom from our brightest legal minds: Utilizing community as currency
By Layth Gafoor
Entertainment Attorny & Sports Executive
and Malik Nembhard
We’ve all seen that subject line before in our email inbox: "Calling All Creators!" It’s shiny and hard to pass up. Perhaps even a big opportunity for a big name. For two Black designers, that moment looked like a European fashion house design contest. One of them was the dreamer: sleepless nights, coffee-infused ideas, sketches being crumpled up and tossed to the side. The other one? A natural-born networker, grinding in Milan, calling contacts, making the plays, and ensuring that the right eyes saw the vision. These two were a dream team… but not a legal one.
Neither read the terms and condition, and that’s where it slipped.
The terms were in small font but very clear: submit your work, and the rights to the designs automatically transfer to the fashion house. Win or lose, the designs no longer belonged to the designers. It belonged to the label. Legally, they had given it up the second they clicked “submit.”
This story isn’t rare. In fact, it’s painfully familiar to many.
For Black designers, the desire to be seen, to have your work validated, celebrated, visible — it’s all real. Getting an opportunity in a major city is scarce. And we know us, when a door cracks open, even a sliver, we gon’ rush to squeeze through it. But sometimes, that rush comes at a cost.
This design contest is just one example of how “opportunity” can quietly become exploitation. And let’s be honest — this happens because we often don’t have the resources to negotiate differently. Most of us don’t have lawyers on retainer. Most of us are moving fast, trying to make something shake.
But here’s where we do have power: in each other.
Community is currency when we don’t have capital. That’s why we need spaces like the Black Designers of Canada, where designers can learn, connect, and protect one another. The collective is the cushion. When one of us reads the fine print, we all get smarter. When someone shares how they lost rights to a design, the rest of us learn to keep ours.
Take the idea of reversion rights. These are legal provisions that let creators reclaim ownership of their work after a certain time or under certain conditions. These exist in copyright law, but they are often buried in agreements or otherwise inaccessible without legal support. For a young creator, especially one from a marginalized background, knowing such terms even exist can shift the playing field.
We’ve seen it before, like the Eaton Centre case, where Canadian artist, Michael Snow, sued after his iconic flying geese sculpture was altered without consent. He didn’t just win. He reaffirmed something critical: creators have a right to the integrity and authorship of their work. Those are called paternity rights. It’s the legal version of “I made it this way, so I want it to stay this way.”
Now apply that to fashion, design, or digital content. Creators need space not just to show up, but to retain authorship. Paternity rights are essential. You may not win the contest, but you deserve to have your hand in the work acknowledged.
This is especially vital in Black communities, where our ideas so often get absorbed, reshaped, and resold without credit. Where the originators get pushed to the side, while someone else basks in the spotlight. We’ve seen our style, our sound, our inventions and our stories get flipped into profit for decades, and we’re often left with nothing but the empty memory of our contributions.
But it doesn’t have to stay that way.
We don’t need to fear opportunity. But we do need to be ready for it. And readiness isn’t just talent — it’s literacy. It’s asking the uncomfortable questions. It’s knowing when to say, “this looks great, but I need someone to review it before I sign.”
We love the ideation stage — the brainstorming, the “what ifs.” That’s where we shine. But protecting the idea? That’s part of the creative process too.
So, the takeaway? Don’t trade your credit for a maybe. Don’t give away your legacy for a shot at a spotlight that may never shine your way. The work you make, especially when it comes from culture, from memory, from lived experience, is yours. It deserves to be treated with care.
WWW.LUCENTEM.COM
We’ve all seen that subject line before in our email inbox: "Calling All Creators!" It’s shiny and hard to pass up. Perhaps even a big opportunity for a big name. For two Black designers, that moment looked like a European fashion house design contest. One of them was the dreamer: sleepless nights, coffee-infused ideas, sketches being crumpled up and tossed to the side. The other one? A natural-born networker, grinding in Milan, calling contacts, making the plays, and ensuring that the right eyes saw the vision. These two were a dream team… but not a legal one.
Neither read the terms and condition, and that’s where it slipped.
The terms were in small font but very clear: submit your work, and the rights to the designs automatically transfer to the fashion house. Win or lose, the designs no longer belonged to the designers. It belonged to the label. Legally, they had given it up the second they clicked “submit.”
This story isn’t rare. In fact, it’s painfully familiar to many.
For Black designers, the desire to be seen, to have your work validated, celebrated, visible — it’s all real. Getting an opportunity in a major city is scarce. And we know us, when a door cracks open, even a sliver, we gon’ rush to squeeze through it. But sometimes, that rush comes at a cost.
This design contest is just one example of how “opportunity” can quietly become exploitation. And let’s be honest — this happens because we often don’t have the resources to negotiate differently. Most of us don’t have lawyers on retainer. Most of us are moving fast, trying to make something shake.
But here’s where we do have power: in each other.
Community is currency when we don’t have capital. That’s why we need spaces like the Black Designers of Canada, where designers can learn, connect, and protect one another. The collective is the cushion. When one of us reads the fine print, we all get smarter. When someone shares how they lost rights to a design, the rest of us learn to keep ours.
Take the idea of reversion rights. These are legal provisions that let creators reclaim ownership of their work after a certain time or under certain conditions. These exist in copyright law, but they are often buried in agreements or otherwise inaccessible without legal support. For a young creator, especially one from a marginalized background, knowing such terms even exist can shift the playing field.
We’ve seen it before, like the Eaton Centre case, where Canadian artist, Michael Snow, sued after his iconic flying geese sculpture was altered without consent. He didn’t just win. He reaffirmed something critical: creators have a right to the integrity and authorship of their work. Those are called paternity rights. It’s the legal version of “I made it this way, so I want it to stay this way.”
Now apply that to fashion, design, or digital content. Creators need space not just to show up, but to retain authorship. Paternity rights are essential. You may not win the contest, but you deserve to have your hand in the work acknowledged.
This is especially vital in Black communities, where our ideas so often get absorbed, reshaped, and resold without credit. Where the originators get pushed to the side, while someone else basks in the spotlight. We’ve seen our style, our sound, our inventions and our stories get flipped into profit for decades, and we’re often left with nothing but the empty memory of our contributions.
But it doesn’t have to stay that way.
We don’t need to fear opportunity. But we do need to be ready for it. And readiness isn’t just talent — it’s literacy. It’s asking the uncomfortable questions. It’s knowing when to say, “this looks great, but I need someone to review it before I sign.”
We love the ideation stage — the brainstorming, the “what ifs.” That’s where we shine. But protecting the idea? That’s part of the creative process too.
So, the takeaway? Don’t trade your credit for a maybe. Don’t give away your legacy for a shot at a spotlight that may never shine your way. The work you make, especially when it comes from culture, from memory, from lived experience, is yours. It deserves to be treated with care.
WRITERS
ROOM
In their words: The industry on BDC designer excellence


Monique Taylor-Yee Shui
Editor-in-Chief of By HER Magazine
The Visionary Behind Öfuurë
ÖFUURË
As someone who has spent years immersed in Canada’s lifestyle and fashion scene, both through storytelling and style, I’ve always been drawn to creatives who design with purpose. I’m endlessly inspired by how Tehilah Abakasanga, the visionary behind the globally celebrated fashion brand Öfuurë, has redefined what it means to blend culture and contemporary fashion.
If you’re not yet familiar with Öfuurë, the brand beautifully fuses bold African-inspired prints with contemporary silhouettes. The result is stunningly vibrant, feminine, and empowering, drawing directly from Tehilah’s Nigerian roots. Each collection celebrates heritage while speaking to the modern woman, making every piece feel like more than clothing; it’s a statement of identity and confidence. Over the years, I’ve personally collected several Öfuurë pieces. I’m absolutely in love with the LIZA Sequin Collection, perfect for holidays and special occasions, as well as the Linen and Shakara collections, which feature stunning, effortless pieces ideal for summer and vacations. Wearing them always makes me feel bold and beautiful, and it’s that sense of joy and empowerment that I think Tehilah aims to capture in her designs.
This past May, Öfuurë celebrated its 10th anniversary, marking a decade of colour, creativity, and culture. What began as a passion project in 2015 has evolved into an international label worn by women around the world, including celebrities and influencers who have fallen in love with Tehilah’s designs. Seeing her pieces on a celebrity always brings a huge smile to my face because it’s a proud reminder of all she has accomplished. But beyond the glam, there’s a deeper message in her work: representation matters. Seeing a Black woman redefine what luxury and cultural expression look like in Canada, and doing so on her own terms, is powerful, necessary and empowers the next generation of designers and fashion lovers alike.
At byHER Magazine, the platform I founded to celebrate and amplify the voices of Black women in Canada, stories like Tehilah’s are exactly why we exist. Our mission is to spotlight women who are breaking barriers, shaping culture, and inspiring others to dream boldly. Designers like Tehilah remind us that creativity and culture are powerful tools of identity, pride, and self-expression. Her work bridges heritage and modernity, showing that fashion can be both beautiful and meaningful, a platform for storytelling and confidence.
Öfuurë isn’t just a fashion brand, it’s a statement that being rooted in who you are can take you anywhere. And as we continue to see Canadian fashion evolve, I’m proud that voices like Tehilah’s are at the forefront, weaving our stories one stunning piece at a time.
WWW.OFUURE.COM
As someone who has spent years immersed in Canada’s lifestyle and fashion scene, both through storytelling and style, I’ve always been drawn to creatives who design with purpose. I’m endlessly inspired by how Tehilah Abakasanga, the visionary behind the globally celebrated fashion brand Öfuurë, has redefined what it means to blend culture and contemporary fashion.
If you’re not yet familiar with Öfuurë, the brand beautifully fuses bold African-inspired prints with contemporary silhouettes. The result is stunningly vibrant, feminine, and empowering, drawing directly from Tehilah’s Nigerian roots. Each collection celebrates heritage while speaking to the modern woman, making every piece feel like more than clothing; it’s a statement of identity and confidence. Over the years, I’ve personally collected several Öfuurë pieces. I’m absolutely in love with the LIZA Sequin Collection, perfect for holidays and special occasions, as well as the Linen and Shakara collections, which feature stunning, effortless pieces ideal for summer and vacations. Wearing them always makes me feel bold and beautiful, and it’s that sense of joy and empowerment that I think Tehilah aims to capture in her designs.
This past May, Öfuurë celebrated its 10th anniversary, marking a decade of colour, creativity, and culture. What began as a passion project in 2015 has evolved into an international label worn by women around the world, including celebrities and influencers who have fallen in love with Tehilah’s designs. Seeing her pieces on a celebrity always brings a huge smile to my face because it’s a proud reminder of all she has accomplished. But beyond the glam, there’s a deeper message in her work: representation matters. Seeing a Black woman redefine what luxury and cultural expression look like in Canada, and doing so on her own terms, is powerful, necessary and empowers the next generation of designers and fashion lovers alike.
At byHER Magazine, the platform I founded to celebrate and amplify the voices of Black women in Canada, stories like Tehilah’s are exactly why we exist. Our mission is to spotlight women who are breaking barriers, shaping culture, and inspiring others to dream boldly. Designers like Tehilah remind us that creativity and culture are powerful tools of identity, pride, and self-expression. Her work bridges heritage and modernity, showing that fashion can be both beautiful and meaningful, a platform for storytelling and confidence.
Öfuurë isn’t just a fashion brand, it’s a statement that being rooted in who you are can take you anywhere. And as we continue to see Canadian fashion evolve, I’m proud that voices like Tehilah’s are at the forefront, weaving our stories one stunning piece at a time.




Kevin Bourne
Editor-in-Chief of ShifterMagazine
Redefining Modern Menswear
RHOWAN
JAMES
If you’ve had your finger on the pulse of Toronto fashion, you’re no stranger to the name Rhowan James. Over the past eight years, he has made a name for himself as one of Toronto's leading menswear designers.
I first met Rhowan James in the early 2000’s while we attended the same church in Toronto. He was a well-dressed and well-groomed man with a clear sense of personal style. It’s no surprise that he would eventually parlay his signature style into an award-winning luxury menswear brand.
But Rhowan James isn’t just a fashion designer; he’s proof that with passion, coupled with relentless drive, you can accomplish anything. The Toronto-native, born to Jamaican immigrant parents has distinguished himself by championing a refined, contemporary vision for menswear, built entirely on self-taught skill and sheer determination.
Unlike many of his peers, instead of attending a top fashion school, his passion came from a lifelong fascination with personal style, cultivated at home. He recalls watching his father’s meticulous Sunday morning routine and sense of personal style, which, in turn, inspired him to find his own personal style. After getting laid off from his advertising job during the 2009 recession, James used the downtime to get creative. After getting his hands on as many books as possible, buying a sewing machine and materials, and learning to design, cut, construct, and sew his own patterns, he would make the boldest decision of his career to date—launching his own brand. “I knew that I wanted to create something with my own name attached to it”, he explained.
In 2017, James officially launched his eponymous label, RHOWAN JAMES, with the express goal of providing a fresh point of view on menswear. With a background in design, he draws inspiration from a broad spectrum of influences, including art, design, fashion and architecture, as well as fashion icons like Tom Ford, Tinie Tempah, Idris Elba, and Ryan Gosling.
A pivotal moment in his career came in 2018 when he won the Emerging Menswear Designer Award (EMDA) at Toronto Men's Fashion Week (TOM*) which confirmed that he was on the right track.
But despite his successes so far, James is far from done. He continues to expand his brand with a focus on bespoke tailoring, but his ultimate goal is to become a leading international fashion brand, and with his clear signature style and determination, there’s no doubt that he will do just that.
WWW.RHOWANJAMES.COM
If you’ve had your finger on the pulse of Toronto fashion, you’re no stranger to the name Rhowan James. Over the past eight years, he has made a name for himself as one of Toronto's leading menswear designers.
I first met Rhowan James in the early 2000’s while we attended the same church in Toronto. He was a well-dressed and well-groomed man with a clear sense of personal style. It’s no surprise that he would eventually parlay his signature style into an award-winning luxury menswear brand.
But Rhowan James isn’t just a fashion designer; he’s proof that with passion, coupled with relentless drive, you can accomplish anything. The Toronto-native, born to Jamaican immigrant parents has distinguished himself by championing a refined, contemporary vision for menswear, built entirely on self-taught skill and sheer determination.
Unlike many of his peers, instead of attending a top fashion school, his passion came from a lifelong fascination with personal style, cultivated at home. He recalls watching his father’s meticulous Sunday morning routine and sense of personal style, which, in turn, inspired him to find his own personal style. After getting laid off from his advertising job during the 2009 recession, James used the downtime to get creative. After getting his hands on as many books as possible, buying a sewing machine and materials, and learning to design, cut, construct, and sew his own patterns, he would make the boldest decision of his career to date—launching his own brand. “I knew that I wanted to create something with my own name attached to it”, he explained.
In 2017, James officially launched his eponymous label, RHOWAN JAMES, with the express goal of providing a fresh point of view on menswear. With a background in design, he draws inspiration from a broad spectrum of influences, including art, design, fashion and architecture, as well as fashion icons like Tom Ford, Tinie Tempah, Idris Elba, and Ryan Gosling.
A pivotal moment in his career came in 2018 when he won the Emerging Menswear Designer Award (EMDA) at Toronto Men's Fashion Week (TOM*) which confirmed that he was on the right track.
But despite his successes so far, James is far from done. He continues to expand his brand with a focus on bespoke tailoring, but his ultimate goal is to become a leading international fashion brand, and with his clear signature style and determination, there’s no doubt that he will do just that.


SOVRYGN
WATCHES:
A Journey of Passion and Perseverance
By Thomas J. Sandrin
WatchDNA.com
From the bustling streets of Nigeria to the heart of Ottawa, SOVRYGN Watches is more than a brand—it is the embodiment of one man’s determination to transform passion into timeless craftsmanship. Founded by Nigerian-Canadian designer and entrepreneur Rotimi, SOVRYGN blends heritage, engineering precision, and contemporary design to create watches that tell a story far beyond time.
We sat down with Rotimi, the visionary behind SOVRYGN, to learn more about his journey, inspirations, and the mission behind the brand.
Your journey started in Nigeria and continued in Canada. How did those experiences shape SOVRYGN Watches?
Nigeria gave me creativity and resilience, the ability to build something meaningful from limited resources. Canada refined that instinct with precision and structure. Together, they shaped SOVRYGN’s DNA: emotional storytelling rooted in heritage, combined with the technical discipline of modern watchmaking. Every piece reflects that duality, art meeting engineering, soul meeting precision.
What was the spark that made you move from collecting watches to creating your own brand?
Collecting watches made me appreciate how design can tell a story, but none of those stories were mine. I wanted to create timepieces that reflected my journey and values, a fusion of culture, craftsmanship, and meaning. SOVRYGN was born from that desire to move from admirer to architect, crafting watches that connect emotion with engineering.
SOVRYGN Watches are known for their attention to detail. What makes them unique?
Every SOVRYGN timepiece starts with purpose. From multi-layered dials to applied indices, every element serves a symbolic and functional role. We use premium Japanese movements and high-grade materials, but our real distinction lies in design philosophy, watches that perform with precision while resonating with personal meaning.
Beyond watchmaking, SOVRYGN emphasizes social impact and sustainability. Why is that important to you?
Legacy isn’t just about what we build, it’s about what we contribute. SOVRYGN produces in small, intentional batches and supports initiatives that provide clothing, food, and clean water to underserved communities. For me, sustainability goes beyond materials; it’s about creating products, and impact, that stand the test of time.
SOVRYGN is more than a brand—it’s a movement. It represents perseverance, individuality, and the timeless connection between people and the watches they wear. For those who dare to dream and challenge convention, SOVRYGN is a reminder that every second counts.


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TORONTO FASHION ACADEMY
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